Home > Culture > Entertainment > Asian movies to look out for at 2021 Cannes Film Festival
Asian movies to look out for at 2021 Cannes Film Festival

With many movies stalled and film festivals cancelled due to the COVID-19 pandemic, the lockdowns and restrictions haven’t been easy on movie industries globally. The Cannes Film Festival, too, has made a comeback this year and is being held in July instead of its usual time in May. And, by the looks of it, this year’s Cannes paints a promising picture when it comes to Asian movies.

It’s a proud moment for India as Rahul Jain makes his Cannes debut with Invisible Demons — a documentary showing a grim reality of Delhi as it finds itself trapped in the clutches of environmental degradation. Rehana Maryam Noor, another film from the Indian subcontinent, traces the journey of its eponymous lead as she chooses to fight evil instead of bowing down.

The National Film Development Corporation (NFDC) will also be presenting a few projects at the Cannes Film Market, in hopes of finding co-producers and financers. Some of the films are Moving Bangladesh, Dengue, Rasa, Kuhiro Pariko Sahar, Last Time on Earth, Ghol, and Second Chance.

Asian movies to be featured at the 74th Cannes Film Festival —

Emergency Declaration

South Korean director Han Jae-rim promises to give a dose of thrill to its viewers with his disaster-action outing. The plot revolves around a disaster involving an aeroplane mid-flight as it heads to Hawaii. Starring Parasite star Song Kang-ho in the lead, this film will be screened at the out-of-competition section of the prestigious film festival. 

Drive My Car

In his second film to feature in the official Cannes competition  the first was 2018 romantic drama Asako I & II — Japanese director Ryusuke Hamaguchi draws inspiration from acclaimed writer Haruki Murakami’s short story of the same name from his short story collection Men Without Women. The three-hour-long film revolves around protagonist Yūsuke Kafuku’s (Hidetoshi Nishijima) equation with his driver, a young woman, Misaki Watari (Tōko Miura). 

In Front of Your Face

Sang-soo Hong’s Korean drama opened to a positive response and has been at the receiving end of many sales deals, including US rights of the movie being purchased by distribution company The Cinema Guild. As per The Hollywood Reporterthe film is described as portraying a “life-threatening game of hide-and-seek between a psychopathic killer and a deaf woman.” 


Asian movies cannes
Tilda Swinton at the 2020 Venice Film Festival. Image: Courtesy Tiziana Fabi/AFP

Starring Doctor Strange actress Tilda Swinton, this international production is directed by Thai filmmaker Apichatpong Weerasethakul and is shot in the Pijao and Bogotá mountains of Colombia. The actress plays a woman from Scotland travelling through the region as she combats her issues regarding memory and identity. 

Rehana Maryam Noor

Directed by Abdullah Mohammad Saad, the Bangladeshi film depicts the psyche of its protagonist Rehana Maryam Noor, an assistant medical professor, who takes a stand against the wrong and refuses to look the other way.  

Invisible Demons

In his Cannes debut, Indian director Rahul Jain aims to showcase the impact of pollution and global warming on the health of Delhi residents through his almost hour-long documentary. Featuring in the new section called Cinema for the Climate, it will focus on climate change issues. 

The Year of the Everlasting Storm

Filmed secretively in the US, Iran, Chile, China and Thailand, the anthology features the work of seven directors, namely Jafar PanahiAnthony Chen, Malik Vitthal, Laura PoitrasDominga SotomayorDavid Lowery and Apichatpong Weerasethakul. 

I Am So Sorry

The Chinese film is director Zhao Liang’s take on prophecy on the usage of nuclear energy. Through his lens, he captures what we disregard. Liang portrays the grave consequences of man’s quest to progress, which will ultimately lead to destruction.  

Gaey Wa’r

Directed by Na Jiazuo, the Chinese film is set in the early 2000s and traces the challenging journey of its 21-year-old protagonist, Dongzi, as he takes up the job of a henchman to a debt collector, to pay off his father’s medical bills.  

Main and Featured image: Valery Hache/AFP

Priyanka Lamba

It was while pursuing her degree in computer applications, when Priyanka decided to set her sights on content writing (talking about realisation and serendipity). In her spare time, she is either found immersed in books or movies. 

Sign up for our newsletters to have the latest stories delivered straight to your inbox every week.

Yes, I agree to the Privacy Policy

Never miss an update

Subscribe to our newsletter to get the latest updates.

No Thanks
You’re all set

Thank you for your subscription.